KINTSUGI

Kintsugi (c) Sarah Vanheuverzwijn 1

"Good clowning has the gift of saying so much without a single word. Dieter Missiaen is both traditional and innovative, adding new color to a niche within contemporary — yet accessible — circus. When the big emotions take over from the comedy in KINTSUGI, they hit hard.” (Review Tom Permentier - PZAZZ)

KINTSUGI is a poetic and physical tale about loss, anger and grief. A comic performance  with wraps us in humor like a warm blanket.
A journey from hope to despair, to the realisation that the loss of someone in your life is something that never leaves you,
and that that's okay. 
Subtle, raucous, disarming and visual, the play touches on a theme we all share.

There is a man.
There is a door.
There is hope.

The man waits. And waits. 
Together we wait.

He does his best to play away the emptiness,
but it becomes increasingly clear how this is all going to end… In KINTSUGI, hardly any words are spoken - because we don’t need them. The image prevails, humor breaks the tension, and comfort lurks in every scene. A performance that touches the heart without crushing the soul.

 

Review StageLync (NY): KINTSUGI, a Journey Through Loss and Laughter

 

“It’s not just the clown’s soul that surfaces, but also that of his performer. Missiaen channels the rawest emotions through a filter of absurdism.” 

 

“What stands out is the relationship between Missiaen and his audience. Several times, he settles himself among the spectators. In this and other ways, he acknowledges their presence — yet amid his growing disarray, a profound loneliness emerges, one only Godot could relieve.” ( Tom P. – PZAZZ Theater & Circus Review)

 

​"At its heart, KINTSUGI is a poetic, comic treatment of grief that embraces the universal cracks in the human condition. A door on stage becomes a symbol of hope, anger, and acceptance, leading the audience on an emotional journey where laughter triumphs even in the darkest moments.​" (Stagelync NY)

 

Photos

Kintsugi (c) Sarah Vanheuverzwijn 1
Kintsugi (c) Sarah Vanheuverzwijn 6
Scherm­afbeelding 2025 09 01 Om 17.10.43
Img 7736

Playing dates

Sat, November 1, 2025Veurne
Sun, November 2, 2025 – 12:00Kortenberg (BE)
Thu, November 13, 2025SV in CC
Sun, December 7, 2025Cultuurfabriek, Sijsele
Wed, February 18, 2026 – 12:00E. (BE)
Sat, February 28, 202630 CC, Leuven
Sat, April 18, 202617-19/04 MAD-fest. Antwerpen (option)
Sun, May 24, 2026option (PT)
Sat, June 27, 2026option
Fri, July 24, 2026Cirque Plus, Bruges (BE)
Sat, July 25, 2026Cirque Plus, Bruges (BE)
Sun, July 26, 2026 – 12:00Cirque Plus, Bruges (BE)
Thu, August 6, 2026 – 12:005-9/08 option Theater op de Markt Hasselt (BE)
Sat, August 8, 20265-9/08 option Theater op de Markt Hasselt (BE)
Fri, August 28, 2026CIRK! Aalst (BE)
Sat, August 29, 2026CIRK! Aalst (BE)
Sun, August 30, 2026CIRK! Aalst (BE)
Sat, September 19, 2026option
Sun, September 20, 2026option
Sun, November 1, 2026Reveil, CC Hamme (BE)
Fri, November 6, 2026option

Credits

Artist

Dieter Missiaen

Idea

Els Degryse and Dieter Missiaen

Coaching, dramaturgy

Craig Weston (The Primitives, Be Flat) / Els Degryse

Clowning coach

Stef Geers (Theater Muto)

Movement advice

Piet Van Dycke (Circumstances)

Fotografie

Sarah Vanheuverzwijn

Coproduction

CIRCUIT & MIRAMIRO
With the support of the Flemish Government.

With thanks to Cultuurfabriek Sijsele, Te Gek!, De Warande Turnhout, CC De Spil, Uitwijken Brugge Plus, CC Brugge, MAD festival, CirkLabo and circuswerkplaats Dommelhof.